(Charly) 16 tracks ´What Foes Around, Turn Around´ runs on old maxim which still holds true. In music, as in all things to do with fashion, tastes go round in full circle. What was passe last year can well be this year´s in thing. We´ve seen *the return of the mini-skirt and now it´s the turn of 1960´s soul music to get a much deserved resurgence of popularity. Maybe it´s a sign that I´m getting old but — the explosion of rock ´n´ roll onto the scene around 1955 excepted — I can think of no other era or musical style which possessed quite the same measure of excitement and delightful discovery as did ´Sixties Soul. True, there have been many great records in the years since but I can´t imagine ever again feeling confident enough to place a standing order with my local record shop for every single release on not one but half-a-dozen labels, knowing that I´ll like every one of them! Sue, London American, Stateside, President, Jay Boy, Chess. Atlantic, Stax and Tamla Motown, were the much-sought-out UK labels amongst soul fans in those heady days. Now, two decades later, the music is ´coming back strong´ (to quote a Tony Clarke classic from the era) thanks initially to the efforts of such re-issue labels as Charly and, latterly, to the renewed chart status of oldies from the likes of Sam Cooke and Marvin Gaye, thanks to the use of the songs in TV commercials. Clubs up and down the land are playing the classic songs to a whole new audience while the faithful minority (and it isn´t a small one) who have never deserted the music have taken the chance to stock up on fresh copies of their well-worn favourites. I´ve a strong conviction that both groups will find plenty to entertain them in this great album. Birdlegs And Pauline : The British version of the Sue label, run for Island Records by that colourful character, the late Guy Stevens, was *prized by ´60s soul music collectors for unearthing the real rarities from the American RUB scene. Many were great. some were abysmal, all were interesting. ´´Spring´´ was one of the most talked about UK Sue issues, and one of the most obscure in origin (indeed, it wasn´t until sitting down to pen this present sleevenote that I discovered they had an *album issued, on the Cuca label). From that LP´s sleevenote I´ve gleaned the following information! It was the idea of Chicago bluesman Shakey Jake to put the two together — Birdlegs (aka Sidney Banks) and Pauline (a good friend of Pearl Bailey). Cut originally for Cuca. the quirky ´Spring´ was picked up by Ewan Abner (later to be a Motown exec) for release nationally on Vee Jay. Bob And Ear : Men of many names, Bob and Earl first rocked the emergent British disco scene with the emminently danceable ´Harlem Shuffle´ back in 1963 but it wasn´t until re-release in 1969 that it cracked the UK top-ten. Bobby Relf also recorded as Bobby Garrett while his partner Earl Nelson also masqueraded on records — with some success — as Earl Cosby, Jackie Lee and Jay Dee. Just to further clarify things, the original Bob in the duo had been Bobby Byrd. otherwise known as Bobby Day, of ´Rockin´ Robin´ fame! * The original pairing had emerged from the Hollywood Flames. for whom Nelson sang lead on the 1957 hit ´´Buzz Buzz´´, and recorded for Class until 1959 when Relf replaced Byrd. ´Harlem Shuffle´ was originally released in the US by Marc, one of several LA based labels for which they recorded, usually under the aegis of producer Fred Smith and arranger Barry White (later to be a soul superstar) who devised a totally distinctive sound. With the Rolling Stones´ recent cover version having returned that group to its ´60s R&B roots, the time seems ripe for the original ´´Harlem Shuffle´´ to return to the nation´s dance-floors. Barbara Lewis : A product of the Ollie McLoughlin stable, which also included Deon Jackson and the Capitols, Barbara Lewis had an R&B chart-topper in 1963 with the superb ballad ´Hello Stranger´´, leased from McLoughlin´s Carla label by Atlantic, and quickly scored again with ´Baby I´m Yours´ and ´Make Me Your Baby´. Shades Of Blue: Of Shades of Blue I know nothing except that they were a white Detroit based act and that their ´Oh How Happy´ was written by Edwin Starr and was widely performed by British soul acts in the late ´60s. It was released in the UK on Sue. Brenton Wood: Born in Shreveport, Louisiana, on July 26 1941, Los Angeles´ based Brenton Wood wasn´t a one-hit wonder, he was a two-hit wonder! It was Double Shot Records who
(Charly) 21 tracks
Farley is doing his best trying not to dance with death after a solar storm has taken the electrical grid down worldwide, but it seems avoiding danger for him is no safer in the long run than outright exposure. The old prepper knows it is not death, but dying, which is terrible. Life for him is either a daring adventure of foraging and trading, or nothing. The great thing about the dead is that they make space and leave stuff behind. There are more dead people in the world now than living, and their numbers are increasing. The living are getting rarer and they are getting meaner. Death doesn´t bargain, death is when the monsters or marauders get to you. His plan for bugging out to the lake went well at first but the demands of his fellow survivors soon begin to stress him out. Life is complicated enough trying to trade for supplies as societal breakdown increases, but protecting others who are not there to protect you gets complicated. Farley is forced to look in his soul, and he´s not sure he likes what he sees. 1. Language: English. Narrator: Marcus Hyde. Audio sample: http://samples.audible.de/bk/acx0/055385/bk_acx0_055385_sample.mp3. Digital audiobook in aax.
Paroles et accords de plus de 80 morceaux soul. Titres :The Dock Of The Bay (Otis Redding); Piece Of My Heart (Erma Franklin); A Simple Game (Four Tops); Abraham, Martin And John (Marvin Gaye); Ain´t No Sunshine (Bill Withers); B.A.B.Y. (Carla Thomas); Band Of Gold (Freda Payne); Be Thankful For What You Got (William Devaughn); Be Young, Be Foolish, Be Happy (Tams); Clean Up Woman (Betty Wright); Cool Jerk (Capitols); Cry To Me (Solomon Burke); Don´t Make Me Over (Dionne Warwick); Don´t Play That Song (Aretha Franklin); Drift Away (Dobie Gray); Everybody Needs Somebody To Love (Solomon Burke); Everyday People (Sly, Family Stone); Feeling Good (Nina Simone); First Impressions (Impressions); Float On (Floaters); Give Me Just A Little More Time (Chairmen Of The Board); Go Now (Bessie Banks); Green Onions (Booker T. And The Mg´s); Hard To Handle (Otis Redding); Harlem Shuffle (Bob And Earl); Have A Little Mercy (Jean Wells); Hit The Road Jack (Ray Charles); Hold On, I´m Comin´ (Sam And Dave); I Can´t Stand The Rain (Ann Peebles); I Get The Sweetest Feeling (Jackie Wilson); I Got You (James Brown); I Gotcha (Joe Tex); I Say A Little Prayer (Aretha Franklin); I Thank You (Sam And Dave); I Wanna Get Next To You (Rose Royce); I Want You (Marvin Gaye); I Wish (Stevie Wonder); I´d Rather Go Blind (Etta James); I´ll Take You There (Staple Singers); I´m Gonna Tear Your Playhouse Down (Ann Peebles); In The Midnight Hour (Wilson Pickett); It´s Ecstasy When You Lay Down Next To Me (Barry White); I´ve Been Lonely For So Long (Frederick Knight); I´ve Been Loving You Too Long (Otis Redding); Knock On Wood (Eddie Floyd); Lady Day And John Coltrane (Gil Scott-heron); Land Of A Thousand Dances (Wilson Pickett); Last Night (Mar-keys); Lean On Me (Bill Withers); Les Fleur (Minnie Riperton); Let´s Stay Together (Al Green); Love Really Hurts Without You (Billy Ocean); Midnight Train To Georgia (Gladys Knight And The Pips); Moonlight, Music And You (Laura Greene); Mr. Big Stuff (Jean Knight); Night Shift (Commodores); Nothing But A Heartache (Flirtations); One Nation Under A Grove (Funkadelic); Patches (Clarence Carter); Private Number (William Bell, Judy Clay); Rescue Me (Fontella Bass); Respect (Aretha Franklin); Rock The Boat (Hues Corporation); Rock Your Baby (George Mcrae); Son Of A Preacher Man (Dusty Springfield); Soul Finger (Bar-kays); Soul Man (Sam And Dave); Stand By Me (Ben E King); Stand! (Sly And The Family Stone); Stay With Me Baby (Lorraine Ellison); Stop Her On Sight (Edwin Starr); Summer Breeze (Isley Brothers); Take Me To The River (Al Green); The Boss (James Brown); The ´In´ Crowd (Dobie Gray); The Snake (Al Wilson); Theme (Shaft,Isaac Hayes); Think (James Brown); Try A Little Tenderness (Otis Redding); Under The Boardwalk (Drifters); Walk Away, Renee (Four Tops); Walking The Dog (Rufus Thomas); What´d I Say (Ray Charles); Why Can´t We Live Together (Timmy Thomas); You Don´t Miss Your Water (William Bell)
A pocket-sized collection of over 70 Ed Sheeran songs, presented in chord songbook format, with chord symbols, Guitar chord boxes and complete lyrics.(Sittin´ On) The Dock Of The Bay (Take A Little) Piece Of My Heart A Simple Game Abraham, Martin & John Ain´t No Sunshine B.A.B.Y. Band Of Gold Be Thankful For What You Got Clean Up Woman Cool Jerk Cry To Me Don´t Make Me Over Don´t Play That Song (You Lied) Drift Away Everybody Needs Somebody To Love Feeling Good First Impressions Float On Give Me Just A Little More Time Go Now Green Onions Hard To Handle Harlem Shuffle Have A Little Mercy Hit The Road Jack Hold On, I´m Comin´ I Can´t Stand The Rain I Get The Sweetest Feeling I Got You (I Feel Good) I Say A Little Prayer I Thank You I Wanna Get Next To You I Want You I Wish I´d Rather Go Blind I´ll Take You There I´m Gonna Tear Your Playhouse Down In The Midnight Hour I´ve Been Lonely For So Long I´ve Been Loving You Too Long Knock On Wood Lady Day And John Coltrane Land Of A Thousand Dances Last Night Lean On Me Les Fleurs Let´s Stay Together Love Really Hurts Without You Midnight Train To Georgia Moonlight, Music And You Mr. Big Stuff Nightshift Nothing But A Heartache One Nation Under A Groove Paid The Cost To Be Boss (The Boss) Patches Private Number Rescue Me Respect Rock The Boat Rock Your Baby Shaft (Theme) Soul Finger Soul Man Stay With Me Baby Stop Her On Sight Summer Breeze Take Me To The River The In Crowd The Snake Think Try A Little Tenderness Under The Boardwalk Walk Away, Renee Walking The Dog What´d I Say Why Can´t We Live Together You Don´t Miss Your WaterU
Comment jouer des rythmes, des grooves, des breaks et des fills de batterie dans les styles Funk et Soul ? Avec cet ouvrage bien sûr... D’un côté, des grooves et breaks de batterie Funk, à la manière des grands représentants du style : James Brown, Prince, Sly & the Family Stone, The Meters... Des grooves droits ou ´´shuffle”, des charlestons avec accentuations et ouvertures ciblées pour accompagner le très syncopé couple grosse caisse et caisse claire, et bien sûr des ghost notes à la pelle pour faire avancer le tout. De l’autre, des morceaux typés Rhythm ‘n’ Blues et Soul, à la manière des Otis Redding, Aretha Franklin, Marvin Gaye, The Blues Brothers... et tant d’autres. Un beat propre au motown, avec caisse claire sur tous les temps et grosse caisse en l’air. Des rythmes Soul, plutôt lents, et Rhythm ‘n’ Blues, plus rapides, avec des ouvertures de charleston variées et syncopées, et des ghost notes pour faire groover le tout. Pour chaque morceau, sont disponibles cinq enregistrements différents sur le CD MP3 joint, répartis de la façon suivante : la batterie seule, au tempo normal puis ralenti, la même partie de batterie jouée cette fois sur son playback, et enfin le playback seul, là encore au tempo normal puis ralenti... pour permettre à chacun d’apprendre et de jouer à son rythme, selon son niveau et ses capacités. Soit plus de 4 heures de musique en tout !
Bass Drum Groove Control for Drumset:Spieltechnik, Koordination und Unabhängigkeit für Rock, Soul, R&B, Fusion, Shuffle etc. Sperie Karas
Bass Drum Groove Control for Drumset, m. Audio-CDUntertitel: Spieltechnik, Koordination und Unabhängigkeit für Rock, Funk, Soul, R&B, Fusion, Shuffle etc.Einbandart: NotenblattFormat: 300xx mmISBN-13: 9783933136886Verlag: Alfred Music Publis
(2008 ´Delmark´) (61:11/15) Vielleicht spielt er manchmal etwas ´ausgefranst´ ... eine Bereicherung der Chicagoer Szene ist der 1957 in Detroit geborene Gitarrist allemal. Mit seiner ausdrucksstarken, gospelgeschulten Stimme und seinem teils expressiven Gitarrenstil liefert er eine hörenswerte Blues/Soul-M ein abwechslungsreiches Programm von Shuffles bis hin zu Soulballaden. Empfehlenswert